Home » Products » Led Moving Head Light » 600W CMY CTO LED Moving Head Light BSW 3in1 for Rent Club FD-LM600BSW

600W CMY CTO LED Moving Head Light BSW 3in1 for Rent Club FD-LM600BSW

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Rated power:600W@220V
Average LED Life: 20,000 Hours
2.5° - 55°linear motorized
Full Color Reversible LCD
Die-casting Aluminum
DMX512 Control
Independent CMY+CTO color mixing system
Availability:
Quantity:
  • FD-LM600BSW

  • Fondlites

Led Source

Light Source: 550W White LED

LUX:4M@80000LM

Average LED Life: 20,000 Hours

CRI : Ra>75


Power  

Input Voltage: 100-240VAC, 50/60Hz

Power Consumption: 600W


Optical system

Zoom: 2.5° - 55°linear motorized

Frost: Frost filter hybrid wash effect

Strobe: 0-25Hz variable speed, pulse, and random strobe

Dimmer: 0-100% variable linear dimming curves

6 colors+white light Color half color function

CMY + CTO Color mix system

Fixed patterns: 9 fixed patterns+white light

Rotating patterns: 7 rotating patterns+1 white light, each glass pattern can independently rotate forward and backward

Interchangeable rotating / Shake / Bi-directional variable-speed rotation effect

1 extra animation disk  

Prism system: comes standard with 4 prisms and 6 rows of mirrors, each prism can independently rotate forward and backward


Control

DMX Channel: 22/26CHs

Control Mode: DMX, Manual  

Display mode: LCD display, button+touch dual operation mode


Construction

Housing Material: Die-casting Aluminum

Housing Color: Black


Connection

3 pin or 5pin DMX In/Out

Powercon: Power Input+Output


Package

Net Weight: 17.2kg

Lamp size:23 * 24 * 65cm

Carton: 60.5 * 53.5 * 46.5cm

Gross weight: 18kg


600W CMY CTO LED Moving Head Light BSW 3in1 for Rent Club

600W bsw moving head light

A moving head with a 2.5°–55° zoom range is not limited to one type of stage effect.

At 2.5°, the fixture can produce a tight beam for long-distance effects and aerial looks. At wider zoom angles, it can cover a much larger area of the stage. Combined with a 550W white LED source, CMYK + CTO color mixing, gobos, prisms and frost, it can handle considerably more than a basic beam fixture.

That makes the fixture relevant to several different types of customers.

For rental companies, versatility is probably the biggest value.

A rental inventory has to serve different productions. One client may need tight beams and gobos for a concert, while another may need wider coverage for a corporate event or stage show. A fixture with a wide zoom range and multiple effects can be used across more jobs, reducing the need to keep too many specialized fixtures in inventory.

For concert and touring productions, output and effects are important.

The narrow beam can be used for aerial effects and long throws, while the rotating gobos, prisms and high-speed strobe can create more movement in the lighting design. The 540° Pan and 270° Tilt also give designers plenty of movement for dynamic stage looks.

For theatres, the requirements are somewhat different.

The combination of CMYK + CTO, linear dimming, frost and a wide zoom range provides more control over the appearance of the light. The fixture can move from tighter accent lighting to wider coverage, while color and color temperature can be adjusted according to different scenes.

For event production companies, flexibility can have a direct impact on equipment utilization.

Corporate events, award ceremonies, indoor shows and gala productions don't always require the same lighting setup. A fixture that can provide beam, gobo, prism and wider wash effects gives the production team more options without adding another type of moving head to every setup.

For stage-lighting distributors, the product also sits in an interesting segment.

It offers specifications that are easy for professional customers to understand — 550W LED output, 2.5°–55° zoom, CMYK + CTO, 7 rotating gobos, 9 fixed gobos, four prisms, RDM and 16-bit Pan/Tilt — while covering several common applications.

The fixture is therefore less about being simply a “600W moving head” and more about how many different jobs it can take on.

For rental companies, that means potentially better equipment utilization.

For production companies, it means more flexibility when building a lighting package.

For theatres and venues, it means more control over different types of looks.

And for designers, it provides more tools in a single fixture.

That is where the combination of 2.5°–55° zoom + CMYK/CTO + high output + gobos + prism effects becomes commercially interesting.


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